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2D to 3D video conversion (also called 2D to stereo 3D conversion and stereo conversion) is the process of transforming 2D ("flat") film to 3D form, which in almost all cases is stereo, so it is the process of creating imagery for each eye from one 2D image.
Apps for iPad, iPhone, and iPod Touch by Scott Snibbe based on interactive artwork for the screen from 1997-2002 [2] iPhone art is a form of Interactive art that takes place on the screen of the iPhone, iPad, or iPod Touch. It is distinct from pictorial works of art produced with an iPhone using paint apps such as Brushes or ArtRage.
Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
The following is a list of video editing software. The criterion for inclusion in this list is the ability to perform non-linear video editing. Most modern transcoding software supports transcoding a portion of a video clip, which would count as cropping and trimming. However, items in this article have one of the following conditions:
Video converters are computer programs that can change the storage format of digital video. They may recompress the video to another format in a process called transcoding , or may simply change the container format without changing the video format.
Digital illustration or computer illustration is the use of digital tools to produce images under the direct manipulation of the artist, usually through a pointing device such as a graphics tablet or, less commonly, a mouse. It is distinguished from computer-generated art, which is produced by a computer using mathematical models created by the ...
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Christiane Paul Digital Art, Thames & Hudson Ltd; Donald Kuspit "Del Atre Analogico al Arte Digital" in Arte Digital Y Videoarte, Kuspit, D. ed., Consorcio del Circulo de Bellas Artes, Madrid; Robert C. Morgan Digital Hybrids, Art Press volume #255, pp. 75–76; Frank Popper From Technological to Virtual Art, MIT Press