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Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
Suite de navidad (1914–5), arranged from opera La cieguecita de Betania; Edvard Grieg. Piano Concerto in A minor, Op. 16 (1868) Helen Grime. Piano Concerto (2017) Ferde Grofé. Concerto for Piano and Orchestra in D (1958) Heinz Karl Gruber. Piano Concerto (2014–2016) Jorge Grundman. Concerto for Piano and String Orchestra. The Toughest ...
On one occasion, Rachmaninoff's 2nd Piano Concerto was performed, with Arkadie Kouguell as soloist and conductor. The audience were informed that the dedicatee of the concerto, Dahl, was a member of the viola section of the orchestra, and they asked him to rise and take a bow. [3] He died in Beirut in 1939.
Villa-Lobos composed his Second Piano Concerto in Rio de Janeiro in 1948. The score is dedicated to João de Souza Lima [pt; de; ru], who gave the first performance on 21 April 1950 at the Theatro Municipal in Rio de Janeiro, with the Orquestra Sinfônica do Theatro Municipal, conducted by the composer.
La Palabra (born Rodolfo M. Foster in Caimanera, Cuba) is an American bandleader, singer-songwriter, pianist, record producer, and arranger, known for his versatile approach to music, particularly his invention of the Salsa romantica Latin music genre and his signature style of Afro-Cuban-influenced, sensual Latin jazz.
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein , criticised the piece.
The piano builds in a triplet pattern to introduce the D minor theme (now in Bb major) in an augmentation in a triumphant tutti. At the climax the piano comes in with a contrapuntal solo. After a minute of the fugato, the orchestra returns, playing the melody in the high winds.
"Piano Concerto No. 1" is a composition for piano and orchestra by the British musician Keith Emerson. It was released on the 1977 album Works Volume 1, by the progressive rock band Emerson, Lake & Palmer. The piece is 18 minutes long, and takes up the whole first side on the album.