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Bad Day at Black Rock is a 1955 American film noir neo-Western film directed by John Sturges with screenplay by Millard Kaufman. It stars Spencer Tracy and Robert Ryan with support from Anne Francis , Dean Jagger , Walter Brennan , John Ericson , Ernest Borgnine and Lee Marvin .
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
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Nino Frank was born in Barletta, in the southern region of Apulia, a busy port town on Italy's Adriatic coast.. In the late 1920s, Frank was a supporter of the Irish writer James Joyce, along with a circle that also included Moune Gilbert, Stuart Gilbert (who helped to make the French translation of Ulysses in 1929), Paul and Lucie Léon, Louis Gillet, and Samuel Beckett.
Another example of a genre changing over time is the popularity of the neo-noir films in the early 2000s (Mulholland Drive (2001), The Man Who Wasn't There (2001) and Far from Heaven (2002); are these film noir parodies, a repetition of noir genre tropes, or a re-examination of the noir genre?
Red Rock West is a 1993 American post-Western neo-noir [1] thriller film directed by John Dahl and starring Nicolas Cage, Lara Flynn Boyle, J. T. Walsh, and Dennis Hopper. It was written by Dahl and his brother Rick, and shot in Montana , Willcox, Arizona , Sonoita, Arizona and Elgin, Arizona .
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...