Search results
Results From The WOW.Com Content Network
The band recorded a four-song demo tape in Mars's basement; [23] Westerberg handed it to Peter Jesperson in May 1980. [24] Jesperson was the manager of Oar Folkjokeopus, a punk rock record store in Minneapolis; [25] he also founded Twin/Tone Records with Paul Stark (a local recording engineer) and Charley Hallman.
The discography of American rock band The Replacements consists of seven studio albums, four live albums, seven compilation albums, five extended plays, 16 singles, and 10 music videos. Formed in Minneapolis , Minnesota by guitarist and vocalist Paul Westerberg , guitarist Bob Stinson , bass guitarist Tommy Stinson , and drummer Chris Mars in ...
Tim is the fourth studio album by American alternative rock band The Replacements.It was released in September 1985 on Sire Records.It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
He’s a 22-year-old trapped in a retiree’s body on “Take Me to the Hospital” (“I don’t wanna die before my time / already used eight of my lives”), and on the campfire sing-a-long ...
Let It Be is the third studio album by American rock band the Replacements.It was released on October 2, 1984, by Twin/Tone Records.A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a ...
Replacements bassist Tommy Stinson joined the project only about a week after it started, and no bassists are included among the list of session musicians, indicating that Stinson played most of the bass on the record. Stinson has mentioned 'the songs I didn't play on' which may refer to songs like the title track that do not feature bass, or ...
[5] Stephen Thomas Erlewine of AllMusic named the song one of the band's "finest" and wrote that the song's "urgency masks its melancholy." [ 6 ] The Austin Chronicle also dubbed the song one of "Paul Westerberg's finest tunes," [ 7 ] while Pitchfork wrote that " 'I'll Be You' completely transcends its production and could fight for a spot in ...
Jeff Tweedy Talks About Loving ABBA, the Replacements and Rosalía (and Hating ‘Happy Birthday’) in New Book, ‘World Within a Song’ Chris Willman November 22, 2023 at 6:52 PM