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Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson (Routledge, 2011) David Riggs. Ben Jonson: A Life (1989) Stanley Wells.
The word was coined in Latin by Erasmus in 1521. [1] It was first used in English by Ben Jonson in his 1600 play Cynthia's Revels; [2] immediately afterwards Jonson chose it as the title of his 1601 play Poetaster. In that play the "poetaster" character is a satire on John Marston, one of Jonson's rivals in the Poetomachia or War of the ...
The museum showcases the life and career of Ben Johnson, as well as his father, Ben Johnson Sr., who was also a world-champion cowboy. In addition to the Ben Johnsons, the museum also features other world-champion cowboys and cowgirls, famous ranches (like the one Ben grew up on), and cowboy artists and craftsmen, all from the area where Ben ...
Charles Harold Herford, FBA (18 February 1853 – 25 April 1931) was an English literary scholar and critic. He is remembered principally for his biography and edition of the works of Ben Jonson in 11 volumes.
Their marriage is celebrated with a wedding masque, also titled "A Tale of a Tub," which retells the story of the play. (In the colloquial usage of the time, a "tale of a tub" is the same as "a cock and bull story.") Jonson, here as often elsewhere in his plays, borrows elements from the Classical plays of Aristophanes and Plautus.
Ben Jonson, Timber; or, Discoveries, made upon men and matter, as they have flow’d out of his daily Readings, or had their reflux to his peculiar Notion of the Times (London, 1641). [27] Lovecraft, H.P. (4 July 2011). "Commonplace Book". H.P. Lovecraft's Commonplace Book. Wired Transcribed by Bruce Sterling.
The play, however, is strongly dependent upon Classical examples in a way suggestive of Jonson: The Case is Altered borrows plots from two of the plays of Plautus, the Captivi ("The Captives") and the Aulularia ("The Pot of Gold"). The former supplies the plot of the Milanese Count Ferneze and his persecuted slave – who turns out to be his ...
Jonson's play uses this fair as the setting for an unusually detailed and diverse panorama of early seventeenth-century London life. The one day of fair life represented in the play allows Jonson ample opportunity to not just conduct his plot, but also to depict the vivid life of the fair, from pickpockets and bullies to justices and slumming ...