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Heart of a Dog (Russian: Собачье сердце, romanized: Sobach'ye serdtse, IPA: [sɐˈbatɕjɪ ˈsʲertsə]) is a novella by Russian author Mikhail Bulgakov.A biting satire of Bolshevism, it was written in 1925 at the height of the New Economic Policy, a period during which communism appeared to be relaxing in the Soviet Union. [1]
Dog's Heart (1976) — a joint Italian-German science fiction/comedy film directed by Alberto Lattuada. It was the first adaptation of the Heart of a Dog satirical novel about an old scientist who tries to grow a man out of a dog. The Days of the Turbins (1976) — a three-part Soviet TV drama directed by Vladimir Basov.
Собачье сердце ["Heart of a Dog"], 1925; edited with introduction and commentary by Avril Pyman, London: Bristol Classical, 1994 (Russian text with English critical apparatus). Translated with the title Heart of a Dog. Роковые яйца [Rokovye Yaytsa, "Fatal eggs"], novel, "Al'manach 'Nedra'", VI, 1925; London: 1970.
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Heart of a Dog (Russian: Собачье сердце, translit. Sobachye serdtse ) is a black-and-white 1988 Soviet comedy-drama science fiction television film directed by Vladimir Bortko . It is based on Mikhail Bulgakov 's novel Heart of a Dog .
Theatrical Novel (Notes of a Dead Man), translated as Black Snow and A Dead Man's Memoir (Russian: Театральный роман (Записки покойника), romanized: Teatralnyy roman (Zapiski pokoynika) is an unfinished novel by Mikhail Bulgakov. Written in first-person, on behalf of a writer Sergei Maksudov, the novel tells of ...
The Rules: Time-tested Secrets for Capturing the Heart of Mr. Right is a self-help book by Ellen Fein and Sherrie Schneider, originally published in 1995. [1] [2]The book suggests rules that a woman should follow in order to attract and marry the man of her dreams; these rules include that a woman should be "easy to be with but hard to get". [3]
Cuore di cane (German: Warum bellt Herr Bobikow?, International title - Dog's Heart) is a 1976 joint Italian-German comedy film directed by Alberto Lattuada based on a novel Heart of a Dog by Mikhail Bulgakov adapted by Mario Gallo. Screenplay by Alberto Lattuada with Viveca Melander. Composer - Piero Piccioni, editor - Sergio Montanari.