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[15] [16] [17] He played with the bands of Red Nichols, Ben Selvin, Ted Lewis, and Isham Jones and recorded for Brunswick under the name Benny Goodman's Boys, a band that featured Glenn Miller. In 1928, Goodman and Miller wrote " Room 1411 ", Miller's first known composition, which was released as a Brunswick 78.
It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop.
Jon Hancock: " Benny Goodman – 'The Famous 1938 Carnegie Hall Jazz Concert' ". ISBN 0-95-624040-2, Prancing Fish Publishing (May 2009) Irving Kolodin: Liner Notes (Benny Goodman – Carnegie Hall Concert) Catherine Tackley: 'Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert', Oxford: Oxford University Press 2013 ISBN 978-0-19-539831-1
In Benny Goodman's band, the most diversified styles flowed together: the ensemble style developed by Fletcher Henderson, who arranged for Goodman; the riff technique of Kansas City; and the precision and training of many white musicians. On the other hand, the easy melodic quality and clean intonation of Goodman's band made it possible to ...
The first jazz recording was made by Benny Goodman in 1934. [97] "Stompin' at the Savoy" [8] [11] [98] [99] is a jazz song composed by Edgar Sampson with lyrics by Andy Razaf. [100] Originally recorded by Chick Webb in 1934, it was popularized by Benny Goodman's 1936 recording. [101] Both Webb and Goodman received composer co-credit for the ...
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
On July 6, 1937, "Sing, Sing, Sing" was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums; Harry James, Ziggy Elman, and Chris Griffin on trumpets; Red Ballard and Murray McEachern on trombones; Hymie Schertzer and George Koenig on alto saxophones; Art Rollini and Vido Musso on tenor saxophone; Jess Stacy on piano; Allan Reuss on guitar; and Harry Goodman on bass.
He also had trouble with finances. When the band split up in 1934, he was forced to sell some of his popular arrangements to Benny Goodman to keep them together. [7] After about 1931, his own arrangements became influential. In addition to arrangements for his band, he wrote arrangements for Teddy Hill, Isham Jones and Benny Goodman. His ...