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Jabberwocky" 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand: Long time the manxome foe he sought—
Twas brilig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. A Jabberwocky sentence is a type of sentence of interest in neurolinguistics. Jabberwocky sentences take their name from the language of Lewis Carroll's well-known poem "Jabberwocky". In the poem, Carroll uses correct ...
Back in 1942, Scott and Emma have encountered Carroll's fantasy book Through the Looking-Glass, containing the poem "Jabberwocky". In its words, they identified the time-space equation that guided their production, organization, and operation of the abstract machine; the title of the short story is a line from the poem.
Jabberwocky, an adult pantomime by Andrew Kay, Malcolm Middleton and Peter Phillips, [1] [2] is a musical based on the English 1871 poem of the same name by Lewis Carroll.The music, book and lyrics are by Malcolm Middleton, Andrew Kay and Peter Philips, with additional material by Robert Kay and by many members of the original cast.
Jabberwocky is a 1977 British fantasy comedy film co-written and directed by Terry Gilliam. Jabberwocky stars Michael Palin as Dennis, a cooper's apprentice, who is forced through clumsy, often slapstick misfortunes to hunt a terrible dragon after the death of his father.
There's never a dull moment in the Howell household with 8-year-old Maisley's hilarious renditions of the Bible. Maisley attends a private school in Tennessee where they have daily Bible lessons.
Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. These poems are well formed in terms of grammar and syntax, and each nonsense word is of a clear part of speech.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.