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Tyler Golsen in his review called the song "almost blindingly bright and exuberant", which groovy disco thump radiates summer energy. [2] Tom Breihan of Stereogum wrote that "Turn Up the Sunshine" sounds like Antonoff and Parker are trying to recreate the euphoria of the music that Diana Ross and Chic recorded together in 1980, and that it is "a big, shiny dance-pop track with a utopian chorus ...
The generic name Argentavis is derived from the Latin root argentum, “silver”, after the country of origin, and avis, “bird”, while the specific name magnificens, “magnificent”, refers to its size. In the description, Argentavis was classified as a member of Teratornithidae and was the first described from South America. [3]
"Skeletons" has been described as a "kaleidoscope-pop" song that draws lyrical influences from Kanye West by Larry Fitzmaurice of Pitchfork. [1]Grant Rindner of The Line of Best Fit described the production of the song as "typically kaleidoscopic, but features the menacing, gothic bass that you hear on Travis Scott standouts like '3500' or 'Antidote'". [2]
Samuels was inspired by the rhythm of the old Scottish tune "The Campbells Are Coming".The song is driven by a snare drum, bass drum, tambourine and hand clap rhythm. The vocal is spoken rhythmically rather than sung melodically, while the vocal pitch rises and falls at key points to create an unusual glissando effect, augmented by the sound of wailing sirens.
Ray Charles recorded his version, titled "(Night Time Is) The Right Time", on October 28, 1958, at the Atlantic Records studio in New York City. [12] According to Brown, "The difference between me and Ray Charles's ‘Night Time Is the Right Time' ... is he had it up-tempo with Mary Ann and them behind him—the ladies. I had mine in a slow ...
"Treat Her Right" was a featured song, along with Wilson Pickett's "Mustang Sally" and Steve Cropper's "In the Midnight Hour", in the successful 1991 motion picture, The Commitments. [10] The song was also featured in Quentin Tarantino 's 2019 film Once Upon a Time in Hollywood and is included on its soundtrack .
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...