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Attempts to censor the song only made it more popular, after religious groups considered it anti-Catholic, [6] and pressured radio stations to remove it from their playlists. [5] "When I wrote 'Only the Good Die Young', the point of the song wasn't so much anti-Catholic as pro-lust," Joel told Performing Songwriter magazine. "The minute they ...
The Bill Dana Show ("Jose's Theme") – Earle Hagen; Billy ("You Could Be The Only One") – Ray Kennedy; Billy (1992) ("I've Told Every Little Star") – Sonny Rollins; The Bing Crosby Show "There's More to Life Than Just a Living" (opening theme) and "It All Adds Up to Love" (closing theme) by Bing Crosby; The Bionic Woman – Jerry Fielding
Billy Joel was a Moonlighting fan and on his own initiative approached the show's producers and offered the song. [ 4 ] An extended version is also played during Joel's 1987 concert in Leningrad , and during the outro, Joel introduces the band; this can be heard on the live album KOHUEPT .
Sheldon Leonard's The Andy Griffith Show may have broadcasted 4x as many seasons in the 1960s as David Levy's TV adaptation of The Addams Family cartoons, but the brooding-yet-bouncy theme song of ...
Performed by the show’s star, Drake Bell, this pop/rock tune was not only super catchy, but also suitable for the show’s silly and upbeat theme. Watch on Paramount+ 39.
[citation needed] Consequently, Billy Joel played the song six times in a row, and changed the lyrics to include references to "Notre Dame and Saint Mary's Girls." [ citation needed ] As a result, Joel was banned from playing at the University [ citation needed ] Joel also reportedly received death threats if he played the song at a concert in ...
Joel’s last single, “All My Life,” arrived in 2007, and his last full-length studio album of new material, the classical music collection “Fantasies & Delusions,” was released in 2001.
"Movin' Out (Anthony's Song)" is a song written and recorded by Billy Joel, featured on his 1977 album The Stranger as the opening track. The song critiques the ambitions of working- and lower-middle-class New Yorkers who strive for material success as evidence of social mobility, working long hours to afford the outward signs of having "made it". [4]