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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
The kebyar duduk dance was first performed in 1925 and designed by I Ketut Marya (better known in the West as I Mario) of Tabanan, Bali. [1] In designing the kebyar duduk dance, I Mario was influenced by recent innovations in Balinese gamelan , which allowed interpretation of the music as well as a fast tempo.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
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The Lilin dance (from Minangkabau lilin 'candle') is a traditional Indonesian (Minangkabau) dance performed by a group of dancers to the accompaniment of a group of musicians.
Joko Kembang Kuning's appearance attracted many crowds who saw his performance until finally the name of this dance was called Lengger which comes from 2 Javanese syllables, 'Ledek' which means male dancer and 'Geger' which means crowd. In the end, Dewi Sekar Taji emerged from hiding and finally Joko Kembang Kuning won the competition and ...
Cakalele dance (pronounced "cha-ka-leh-leh", spelled tjakalele by the Dutch) is a war dance from North and Central Maluku in Indonesia. [1] Hybrid versions also exist among the natives of Sulawesi (Kabasaran dance or Sakalele of the Minahasan), [2] East Nusa Tenggara (Abui Cakalele from Alor), [3] the Tanimbar Islands, [citation needed] and Fakfak ( Mbaham-Matta's Cakalele Mbreh). [4]
[2] [5] [6] Ethnomusicologist Zachar Laskewicz writes that the continued inspiration of these dances allows similar texts to be interpreted from the panyembrama performance. [7] This basis in traditional dance has also led to panyembrama being classified as a form of classical dance by the art critic A. M. Hermin Kusmayati.