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Tapestries at Stirling included eight pieces of the Judgement of Paris, four pieces of the Hunt of the Unicorn, four or five pieces of Roboam, five pieces of the "Triumph of Verity", four pieces of the Count of Ravenna, four pieces of the History of Aeneas, a piece of the Story of Tobit, and a hanging with the arms of the Dukes of Longueville ...
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.
Part of the Overlord Embroidery showing The Blitz. The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy.
The Story of Abraham (tapestries) T. Tapestry of Creation; Tapestry of the Fundació ...
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The tapestries illustrated the counties of Gloucestershire, Worcestershire, Warwickshire and Oxfordshire, with each tapestry portraying one county. Designed to hang together in Ralph Sheldon's home in Weston, near Long Compton, Warwickshire, they would have presented a view across central England, from the Bristol Channel to London , covering ...
The tapestry was designed by Andrew Crummy, son of Helen Crummy, who had previously designed the Battle of Prestonpans Tapestry and later the Scottish Diaspora Tapestry.It implements an idea of Scottish author Alexander McCall Smith for a grand tapestry to depict episodes from 12,000 years of the history of Scotland, after he had seen the Prestonpans Tapestry.