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The 1997 film Face/Off featured a recording of "Over the Rainbow" by Olivia Newton-John. [73] In 2003, Brazilian singer Luiza Possi released a Portuguese version of the song under the title "Além do arco-íris (Over the Rainbow)", for the soundtrack of the Brazilian telenovela Chocolate com Pimenta. A cover of the original version was also ...
Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow."
Arlen composed two of the defining songs of Judy Garland's career: "Over the Rainbow" and "The Man That Got Away", the last written for the 1954 version of the film A Star Is Born. [2] At her famous 1961 Carnegie Hall concert, after finishing a set of his songs, Garland acknowledged Arlen in the audience and invited him to receive an ovation.
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The Wizard of Oz is a 1933 Canadian-American animated short film directed by Ted Eshbaugh. [2] The story is credited to "Col. Frank Baum." Frank Joslyn Baum, a lieutenant colonel in the United States Army and eldest son of writer L. Frank Baum, was involved in the film's production, and may have had an involvement in the film's script, which is loosely inspired by the elder Baum's 1900 novel ...
Judy Garland singing "Over the Rainbow" for the film The Wizard of Oz (1939), which became her signature song. A signature song is the one song (or, in some cases, one of a few songs) that a popular and well-established recording artist or band is most closely identified with or best known for.
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He played and sang, one take, and it was over." [2] At the time, copies of the acoustic recording were made only for Kamakawiwoʻole himself and Bertosa. [3] The song was re-recorded the following year as an "upbeat Jawaiian version" for Kamakawiwoʻole's debut album Ka ʻAnoʻi, listed as "Over the Rainbow/What a Wonderful World."