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"The idea of a bridge crossing to the underworld has found expression in a number of different religious traditions" [15] In Judaism, a version of this doctrine is espoused by Philo of Alexandria in De Somniis, where he interprets "Jacob's ladder" as symbolic of the aerial realm, the air between heaven and earth, through which departed spirits ...
Crossing a single bridge into a village. This is old song That will not declare itself ... Twenty men crossing a bridge, Into a village, Are Twenty men crossing a bridge Into a village. That will not declare itself Yet is certain as meaning ... The boots of the men clump On the boards of the bridge. The first white wall of the village Rises ...
Crossing the Bar" is an 1889 elegiac poem by Alfred, Lord Tennyson. The narrator uses an extended metaphor to compare death with crossing the " sandbar " between the river of life, with its outgoing "flood", and the ocean that lies beyond death , the "boundless deep", to which we return.
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
The bridge and torch problem (also known as The Midnight Train [1] and Dangerous crossing [2]) is a logic puzzle that deals with four people, a bridge and a torch. It is in the category of river crossing puzzles , where a number of objects must move across a river, with some constraints.
In the poem The Rime of the Ancient Mariner, an albatross follows a ship setting out to sea, which is considered a sign of good luck. However, the titular mariner shoots the albatross with a crossbow, an act that will curse the ship and cause it to suffer terrible mishaps.
Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects intos ...
Scholar Andy Orchard suggests that Bifröst may mean "shimmering path." He notes that the first element of Bilröst—bil (meaning "a moment")—"suggests the fleeting nature of the rainbow," which he connects to the first element of Bifröst—the Old Norse verb bifa (meaning "to shimmer" or "to shake")—noting that the element evokes notions of the "lustrous sheen" of the bridge. [3]