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24 Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons, Op. 22 (1934, 1960) 2 Fugues, Op. 32 (1951) Études sur les densités et les volumes, Op. 39b (1956) Dialogue à deux, Op. 41 (1958–1973) Composition II, Op. 46b (1960) Intégrations, Op. 49 (1962) Tomislav Zografski (1934–2000) Sonatina for Two Pianos Op. 142 ...
Mateo Sujatovich (born 18 January 1991), [1] also known for the musical project Conociendo Rusia, is an Argentine musician. [2] As Conociendo Rusia he has released three albums, his homonymous debut in 2018, Cabildo y Juramento in 2019 and La Dirección in 2021.
Unlike many of Boulanger's other works, this work was written to charm, with a fresh and joyful character. [3] The Belgian musicologist Harry Halbreich wrote: . D'un matin de printemps est dans l'ensemble un Scherzo à la verve primesautière, à l'orchestration aérée et transparente, mais on y voit surgir au milieu une gradation d'orchestre véhémente qui révèle la douleur sous-jacente ...
(24) Etudes-Caprices dans les 24 tons de la gamme, for solo violin; Fantaisie sur un thême de Lucia di Lammermoor de Donizetti (on sextet "Chi mi frena in tal momento"), in D major Op.46 for solo violin (1844) Thême Original et Etude de Sigismund Thalberg, Op.45a for solo violin; Variations sur un Thème de Haydn, Op.1 for solo violin (1818)
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
The Piano Trio No. 2 in E minor, Op. 67, is a piece for violin, cello and piano by the Russian composer Dmitri Shostakovich, started in late 1943 and completed in August the following year. It was premiered on 14 November 1944.
The second movement contains prominent solos for the violin and cello, making the work in effect a concerto for piano trio and orchestra briefly, though a once-popular edition by Alexander Siloti removed large sections of the work, including those solos. Siloti initially proposed a number of changes to the score, but Tchaikovsky resisted these ...