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"A boy's best friend is his mother." Norman Bates: Anthony Perkins: Psycho: 1960 57 "Greed, for lack of a better word, is good." [r] Gordon Gekko: Michael Douglas: Wall Street: 1987 58 "Keep your friends close, but your enemies closer." [s] Michael Corleone: Al Pacino: The Godfather Part II: 1974 59 "As God is my witness, I'll never be hungry ...
Paramount Pictures restored and remastered The Godfather, The Godfather Part II, and The Godfather Coda: The Death of Michael Corleone (a re-edited cut of the third film) for a limited theatrical run and home media release on Blu-ray and 4K Blu-ray to celebrate the 50th anniversary of the premiere of The Godfather. The disc editions were ...
Hyman Roth (born Hyman Suchowsky) is a fictional character and the main antagonist in the 1974 film The Godfather Part II. He is also a minor character in the 2004 novel The Godfather Returns. Roth is a Jewish mobster and investor, and a business partner of Vito Corleone and later his son Michael Corleone.
This is a list of characters from the film series The Godfather, consisting of The Godfather (1972), The Godfather Part II (1974) and The Godfather Part III (1990), based on Mario Puzo's best-selling 1969 novel of the same name, as well as the book series The Godfather consisting of the original, Puzo's The Sicilian (1984), Mark Winegardner's The Godfather Returns (2004) and The Godfather's ...
Michael Corleone is a fictional character and the protagonist of Mario Puzo's 1969 novel The Godfather.In the three Godfather films, directed by Francis Ford Coppola, Michael was portrayed by Al Pacino, for which he was twice-nominated for Academy Awards.
On March 5, 1973, Marlon Brando declined the best actor Academy Award for his gut-wrenching performance as Vito Corleone in "The Godfather." He did so for a very unexpected reason. He did so for a ...
Fanucci is a notorious Black Hand extortionist in Little Italy who supports himself by demanding and collecting protection money from neighborhood businesses. [3] Vito Corleone (Robert De Niro) witnesses Fanucci threatening to disfigure a young girl when her father refuses to pay him and is about to intervene when he is stopped by his friend, Genco Abbandando, who tells him who Fanucci really is.
At the time, it wasn’t known that Francis Ford Coppola was preparing a new version of the movie, one that would be retitled “Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone.”