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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
The fifth book looks more to the future; for example, Monteverdi employs the concertato style with basso continuo (a device that was to become a typical feature in the emergent Baroque era), and includes a sinfonia (instrumental interlude) in the final piece. He presents his music through complex counterpoint and daring harmonies, although at ...
Johann Joachim Quantz (German:; 30 January 1697 – 12 July 1773) was a German composer, flutist and flute maker of the late Baroque period.Much of his professional career was spent in the court of Frederick the Great, where he served as the king's flute teacher.
Heinrich Schütz (German:; 18 October [O.S. 8 October] 1585 [1] – 6 November 1672 [2]) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.
In December 2001, he was the tenor soloist in a performance of Wojciech Kilar's Missa pro pace, performed in the Vatican in the presence of Pope John Paul II. [6] However, he is best known for his interpretations of baroque music, and in particular for the role of Evangelist in the St Matthew Passion and the St John Passion by J. S. Bach.
The style is related to improvisation but is characterised by the use of short contrasting episodes and a free form, just like a classical fantasia. Johann Mattheson , who was a German composer and theorist in the 17th century, presented his idea about the definition that Athanasius Kircher in his book, "Das beschutzte Orchestre" (1717), cited ...
American Music Teacher. 16 (2): 38–39. JSTOR 43537083. Dolmetsch, Arnold (1915). The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence. London: Novello; Donington, Robert (1982). Baroque Music: Style and Performance. A Handbook. New York: Norton. ISBN 0393300528. Emery, Walter (1961).