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Javanese dance (Indonesian: Tarian Jawa; Javanese: ꧋ꦠꦫꦶꦗꦮ, romanized: Beksan Jawa) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined.
Sisingaan, also known as Gotong Singa, Singa Ungkleuk, Singa Depok, Kuda Ungkleuk, Pergosi, or Odong-odong, is a traditional Sundanese lion dance that originated in Subang, West Java, Indonesia. [1]
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Kuda Lumping (Javanese: ꦗꦫꦤ꧀ꦏꦺꦥꦁ, Jaran Kepang or Jathilan, Indonesian: Kuda Lumping or Kuda Kepang, English: Flat Horse) is a traditional Javanese dance originated from Ponorogo, East Java, Indonesia depicting a group of horsemen.
Ronggeng (from Javanese ꦫꦺꦴꦁꦒꦺꦁ 'ronggèng') is a type of Javanese dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong.
This dance conveys significant notions: jurit translates to "soldier", garwa ampil refers to "concubine" (of Mangkunegara I), and warastra means "bow and arrow". [1] In general, the dance depicts the troops of Mangkunegara I's concubines during the Salatiga Treaty, [a] enacted on 17 March 1757.
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.
Wayang wong (Javanese: ꦮꦪꦁꦮꦺꦴꦁ (in the ngoko register)), [1] also known as wayang orang (lit. ' human-form wayang '), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the Ramayāna or Mahabharāta.