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A woman in patterned blue in the central print combs her wet hair while breastfeeding a child clad in an apron; [17] Utamaro often depicted women breastfeeding. [22] In the right print a woman wrings the end of a red waistcloth tied around her waist while holding in her mouth a knife used for opening shells.
The image depicts a woman, evidently an ama (a shell diver), enveloped in the limbs of two octopuses. The larger of the two mollusks performs cunnilingus on her, while the smaller one, his offspring, assists by fondling the woman's mouth and left nipple. In the text above the image the woman and the creatures express their mutual sexual ...
Yakusha-e (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ukiyo-e style popular through the Edo period (1603–1867) and into the beginnings of the 20th century.
Ukiyo-e art flourished in Japan during the Edo period from the seventeenth to nineteenth centuries. The art form took as its primary subjects courtesans, kabuki actors, and others associated with the ukiyo "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1]
Though he painted many revered paintings of bijin, he produced very few prints depicting them. Seirō Bijin Awase Sugata Kagami (青楼美人合姿鏡), "A Mirror Reflecting the Forms of Fair Women of the Green-Houses"), [1] a printed book on which he collaborated with Kitao Shigemasa, is one of the only printed works containing bijin-ga by ...
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child