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Adiós muchachos is a 1927 tango composed by Argentinian pianist Julio César Sanders and Argentinian poet César Vedani.According to Francisco Garcia Jimenez, Sanders was inspired when after a night out with a group of friends in 1927 in the Buenos Aires district of Flores, one of them said goodbye with the words "Adiós, muchachos".
"El Amor de Mi Vida" (English: "The Love of My Life") is the second single from Ricky Martin's debut solo album Ricky Martin. It was released on February 25, 1992. A music video was also released. The song reached number eight on the Hot Latin Songs in the United States.
El Amor de Mi Vida may refer to: "El Amor de Mi Vida" (song), a 1992 song by Ricky Martin; El Amor de Mi Vida, a 2006 album by Ronnie Drew and Eleanor Shanley;
Ángel Agustín María Carlos Fausto Mariano Alfonso del Sagrado Corazón de Jesús Lara y Aguirre del Pino [7] (Spanish pronunciation: [aɣusˈtin ˈlaɾa]; ['aŋxel aɣus'tin ma'ɾi.a 'kaɾlos 'fawsto ma'ɾjano al'fonso ð̞el sa'ɣɾað̞o koɾa'son de xe'sus 'laɾa i a'ɣire ð̞el 'pino]; October 30, 1897 – November 6, 1970), [8] known as Agustín Lara, was a Mexican composer and ...
Amor, vida de mi vida (Love, life of my life) is an aria for baritone from the zarzuela Maravilla composed by Federico Moreno Torroba to a libretto by Antonio Quintero and Jesús María de Arozamena. [1] It premiered in Madrid in 1941, where the aria was sung by the baritone, Luis Sagi-Vela.
"ADMV" (short for "Amor de Mi Vida"; English: "Love of My Life") [1] is a song by Colombian singer Maluma. Co-written by Maluma, Stiven Rojas, Vicente Barco, and Edgar Barrera, the lattermost of whom also produced the song, it was released by Sony Music Latin on April 23, 2020. The song topped the charts in Colombia, Costa Rica, Guatemala ...
(Spanish: ¿Dónde estás amor de mi vida que no te puedo encontrar?) is a 1992 Argentine drama film directed by Juan José Jusid and co-written with Ana María Shua. The film stars Susú Pecoraro, Oscar Martínez, Fernando Siro, Luisina Brando, Mario Pasik and Jessica Schultz, as well as Vando Villamil in a small role. [1] [2] [3]
He was a member of the so-called "Generation of the 50s", along with writers such as Ángel González, José Manuel Caballero, José Ángel Valente and Jaime Gil de Biedma. They shared a moral or politic commitment and a renewed attention to the lyrics and the language.