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Conga players are called congueros, while rumberos refers to those who dance following the path of the players. The term "conga" was popularized in the 1930s, when Latin music swept the United States. Cuban son and New York jazz fused together to create what was then termed mambo, but later became known as salsa.
Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments ... Conga; Cajon; Guiro; Barril de ...
Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. [1] In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. [2]
Congas are now very common in Latin American music, including salsa music, as well as many other forms of American popular music. Originally it was played only using one drum; now it is common to see two, three, or four drums. Some congueros such as Giovanni Hidalgo play up to six or seven drums.
Martin Cohen (born January 28, 1939) is an American inventor, entrepreneur, mechanical engineer, and photographer, best known as the founder of the Latin Percussion company. He invented many percussion instruments used in the Latin, Jazz, World, for which he was awarded 8 patents. [1]
The history of the conga (also known as comparsa conga or conga de comparsa) is obscure and its origins remain largely unknown. In the early 19th century, although the word "conga" is not found in written sources, there are references to "tumbas", and, according to Brea and Millet (1993:204), "tumba" refers to the percussion ensemble of the conga.
He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as "Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. According to Rebeca Mauleón , "Few percussionists have played as integral a role in shaping Latin music as Luciano 'Chano' Pozo González".
When rock music became popular in the 1960s, Peraza was the first Afro-Cuban percussionist to add conga drums to a rock track, notably on Harvey Mandel's Cristo Redentor album in 1968. Joining Santana