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He launched his first single, "Pandangan Pertama" ("First Sight") in 1978. The single was a huge hit and propelled his career in the Indonesian '70s dangdut scene. Rafiq, along with Rhoma Irama and Elvy Sukaesih were the three most popular dangdut singer in the '70s. Rafiq is well known for his Elvis-inspired stage costume and hip-gyrating ...
They released their debut album, RAN for Your Life, in 2007, from which the successful single "Pandangan Pertama" was taken. [2] [4] They also had a hit with "Dekat di Hati". [5] [6] They have gone on to release four more albums. In November 2015, they collaborated with Kahitna on the single "Salamku Untuk Kekasihmu Yang Baru". [5]
In music theory, a ninth chord is a chord that encompasses the interval of a ninth when arranged in close position with the root in the bass. [1] The ninth chord and its inversions exist today, or at least they can exist. The pupil will easily find examples in the literature [such as Schoenberg's Verklärte Nacht and Strauss's opera Salome]. It ...
An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.
Jangan Pandang Belakang Congkak (English: Don't Look Back Congkak) is a 2009 Malaysian Malay-language horror comedy film directed by Ahmad Idham. It was produced after the success of Idham's previous horror movies - Jangan Pandang Belakang and Congkak .
The Jakarta Charter (Indonesian: Piagam Jakarta) was a document drawn up by members of the Indonesian Investigating Committee for Preparatory Work for Independence (BPUPK) on 22 June 1945 in Jakarta that later formed the basis of the preamble to the Constitution of Indonesia.
Jangan Pandang Belakang (English: Don't Look Behind) is a 2007 Malaysian Malay-language supernatural horror film directed by Ahmad Idham starring Pierre Andre, Intan Ladyana, Khatijah Tan and Ruminah Sidek.
The constraints of the Stradella bass system, limiting the left hand to preset chord buttons, is a barrier to some jazz chord conventions. Jazz accordionists expand the range of chord possibilities by using more than one chord button simultaneously, or by using combinations of a chord button and a bass note other than the typical root of the chord.