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There are four versions to date: Dirty Minds (the original), More Dirty Minds, Deluxe Dirty Minds, which introduced an entirely new category and the travel card game edition, and Dirty Minds Supreme. As of 2011, a television game show version was in the works. Dirty Minds is also played regularly on radio stations across the country. [citation ...
Dirty Mind peaked at number 45 on the Billboard 200 and number 7 on the Billboard Top Black Albums chart. The first single, "Uptown", reached number five on both the Billboard Hot Soul Singles and Dance Club Songs charts, [9] but only 101 on the Billboard Bubbling Under Hot 100 Singles chart. The title track was released as the second single ...
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.
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"Partyup" is a song performed by Prince on his 1980 album, Dirty Mind. [1] It was based on a groove that had been created by his friend Morris Day , who would eventually become the lead singer of The Time .
"Controversy" is a song by American musician Prince, the lead single and title track to his 1981 album. The song addresses speculation about Prince at the time such as his sexuality, gender, religion, and racial background, and how he could not understand the curiosity surrounding him.
"Do It All Night" was the lead single in the UK to support Prince's third album, Dirty Mind. [2] The song is an ode to sex, and Prince exclaims that he wants to do it all night. The song opens with a simple keyboard hook before a prominent bass guitar kicks in, along with rhythm guitar and li
Koyama was born in Tokyo in 1929, of Christian parents. He later moved to New Jersey in the United States, where he completed his B.D. at Drew Theological Seminary and his Ph.D. at Princeton Theological Seminary, the latter on the interpretation of the Psalms of Martin Luther in 1959.