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What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Prince Hamlet is the central character of Hamlet. He is a prince of Denmark, called on to avenge his father's (Old Hamlet's) murder by Claudius. Old Hamlet is the father of the protagonist in Hamlet. His ghost appears to exhort Hamlet to revenge Old Hamlet's murder by Claudius. Harcourt is a messenger to the king in Henry IV, Part 2.
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Many major characters in the Roman plays are Senators. Senators are often supernumerary characters in the Roman and Venetian plays. Duke Senior is the father of Rosalind. He is the true duke, and has been usurped by his brother, Duke Frederick at the start of As You Like It. For Sennois, see Countryman.
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play.
Earliest recorded performance of Hamlet was in June 1602, with Richard Burbage in the title role. Some scholars, such as Peter Alexander and Eric Sams, believe that the oft-attributed source work known as the Ur-Hamlet was actually a first draft of the play, written by Shakespeare himself sometime prior to 1589. [2] Summary
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In the following list, figures are listed by the name of the character, as it appears in Shakespeare's plays, and includes a narrative of the role of the character in the play: which may, or may not, reflect the role of the figure in history.