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Kumina's distinctive drumming style became one of the roots of Rastafarian drumming, itself the source of the distinctive Jamaican rhythm heard in ska, rocksteady and reggae. The modern intertwining of Jamaican religion and music can be traced back to the 1860s, when the Pocomania and Revival Zion churches drew on African traditions, and ...
Ska emerged in the late 1950s as Jamaica's first truly modern music genre. It combined elements of mento, American jazz, rhythm and blues, and Caribbean calypso. Known for its upbeat tempo, offbeat guitar strumming, and prominent brass sections, ska became a symbol of national pride in post-independence Jamaica.
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. [2] It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. [3]
Linkages from folk music to mento are described in Daniel T. Neely's dissertation, Mento, Jamaica's Original Music: Development, Tourism and the Nationalist Frame (New York University, 2007). Among the best known Jamaican folk songs are "Day-O (Banana Boat Song)", "Jamaica Farewell" (Iron Bar), and "Linstead Market".
Many credit this song as being the first digital rhythm in reggae, featuring a rhythm from a digital keyboard. However, The "Sleng Teng" rhythm was used in over 200 subsequent recordings. This deejay-led, largely synthesized chanting with musical accompaniment departed from traditional conceptions of Jamaican popular musical entertainment.
Kumina is an Afro-Jamaican religion, dance and music form. Kumina has practices that include secular ceremonies, dance and music that developed from the beliefs and traditions brought to the island by Kongo enslaved people and indentured labourers, from the Congo region of West Central Africa, during the post-emancipation era. [1]
The Niyabinghi resistance inspired a number of Jamaican Rastafarians, who incorporated what are known as niyabinghi chants (also binghi) into their celebrations ("groundations"). The rhythms of these chants were eventually an influence of popular ska, rocksteady and reggae music. It is the traditional music of the Rastafarian practice and it is ...
Tom the Great Sebastian, founded by Chinese-Jamaican businessman Tom Wong, was the first commercially successful sound system and influenced many sound systems that came later. [2] In the beginning, the DJs played American rhythm and blues music, but as time progressed and more local music was created, the sound migrated to a local flavour. [1]