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In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. [1] [2] Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements.
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Standard (music), the most popular and enduring songs from a particular genre or style Adult standards, a radio format that includes pop standards; Jazz standards, musical compositions which are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners
The Original Dixieland Jazz Band, from the original 1918 promotional postcard while the band was playing at Reisenweber's Cafe in New York City.Shown are (left to right) Tony Sbarbaro (a.k.a. Tony Spargo) on drums; Edwin "Daddy" Edwards on trombone; D. James "Nick" LaRocca on cornet; Larry Shields on clarinet, and Henry Ragas on piano.
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
Nashville country music borrowed heavily from traditional pop sounds in the late 1950s as Music Row sought to limit the growing influence of rock and roll on the genre; [9] it remained popular until both the British Invasion, the deaths of two of Nashville's biggest country stars (Patsy Cline and Jim Reeves) in separate airplane crashes, and ...