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The 8mm tape width was chosen as smaller successor to the 12mm Betamax format, using similar technology (including U-shaped tape loading) [16] but in a smaller configuration in response to the small configuration VHS-C compact camcorders introduced by the competition. It was followed by Hi8, a version with improved resolution.
A film splicer (also called a film joiner, usually in Europe) is a device which can be used to physically join lengths of photographic film. It is mostly used in film motion pictures. The units are made in various types depending on the usage: Single-8 , Super 8 film , 16mm , 9,5 mm, 35mm and 70mm .
Super 8 and 8 mm film formats – magnetic sound stripes are shown in gray. Super 8 mm film is a motion-picture film format released in 1965 [1] [2] [3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
Kodachrome II, rated at 25 ASA, was introduced in the early 1960s. Kodak continued to produce standard 8 mm film directly up until 1992, although its 16 mm stocks are still re-perforated and respooled by other companies. Other film stocks from different manufacturers, such as Agfa's Agfachrome, were also available. And independent suppliers ...
Kodak ceased sales of standard 8 mm film under its own brand in the early 1990s but continued to manufacture the film, which was sold via independent film stores. Black-and-white 8 mm film is still manufactured in the Czech Republic, and several companies buy bulk quantities of 16 mm film to make regular 8 mm by re-perforating the stock ...
In addition to the home market-oriented 8mm and Super 8 formats developed by Kodak in the 1950s and 1960s, which are still sold today, [246] Kodak also briefly entered the professional television production video tape market in the mid-1980s under the product portfolio name of Eastman Professional Video Tape Products.