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The painting was commissioned by Napoleon Bonaparte's sister, Queen Caroline Murat of Naples, [1] and was finished in 1814. [2] Ingres drew upon works such as Dresden Venus by Giorgione, and Titian's Venus of Urbino as inspiration for his reclining nude figure, though the actual pose of a reclining figure looking back over her shoulder is directly drawn from the 1800 Portrait of Madame ...
In 1916, Sargent sold the painting to the Metropolitan Museum of Art, writing to its director, "I suppose it is the best thing I have ever done." [17] [16] The art world's changing response to the portrait was noted by the New York Herald in its May 12, 1916, headline: "Sargent Masterpiece Rejected by Subject Now Acquired by Museum."
Detail of the lady's head. The painting was executed in oils on a relatively small, 54 cm × 39 cm (21 in × 15 in) walnut wood panel. [9] [10] It depicts a half-height woman turned toward her right at a three-quarter angle, but with her face turned toward her left. [11]
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. [1]