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Them! is a 1954 black-and-white science fiction giant monster film starring James Whitmore, Edmund Gwenn, Joan Weldon, and James Arness. [3] Produced by David Weisbart, the film was directed by Gordon Douglas, based on an original story by George Worthing Yates that was developed into a screenplay by Ted Sherdeman, with adaptation by Russell Hughes.
First film to be digitally colorized [728] [729] [730] Topper Returns: 1941: 1987: Hal Roach Studios [731] Topper Takes a Trip: 1938: 1987: Hal Roach Studios [732] Torrid Zone: 1940: 1992: Turner Entertainment [733] [734] Tortilla Flat: 1942: 1990: Turner Entertainment [735] Towed in a Hole: 1932: 1993: Cabin Fever Entertainment [736] The Trail ...
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Bacon's final film Shield for Murder: Edmond O'Brien: Edmond O'Brien, Marla English, John Agar: Film noir: United Artists: Siege at Red River: Rudolph Mate: Van Johnson, Joanne Dru, Richard Boone: Western: 20th Century Fox: Sign of the Pagan: Douglas Sirk: Jack Palance, Jeff Chandler, Rita Gam: Adventure: Universal: Silent Raiders: Richard Bartlett
Target Earth is a 1954 independently made American black-and-white science fiction film, produced by Herman Cohen, directed by Sherman A. Rose, that stars Richard Denning, Kathleen Crowley, Virginia Grey, and Whit Bissell. The film was distributed by Allied Artists Pictures Corporation. It is based on the Paul W. Fairman novel Deadly City.
The team attempts to free it from the ice with thermite, but a violent reaction with the craft's metal alloy completely destroys it. Their Geiger counter, however, detects something buried nearby, a frozen body. It is excavated intact in a large block of ice and flown back to the base as an Arctic storm closes in on them.
Ford refused to return to film and was sued for $1.75 million for breach of contract. [3] Filming recommenced in June 1954 with Boetticher replaced by William Castle and Stine replaced by William Snyder. [1] Abbe Lane's musical number was supervised by her husband, Xavier Cugat.
Author and film critic Leonard Maltin awarded the film one and a half out of four stars, calling the film "obvious and amateurish" while also criticizing its sluggish pacing. [11] TV Guide rated it one out of four stars, stating that the film was "a distinctly subpar effort", with the monster's design being the film's only item of interest. [ 12 ]