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Anthropology of art is a sub-field in social anthropology dedicated to the study of art in different cultural contexts. Traditionally the anthropology of art has focused on historical, economic and aesthetic dimensions in non-Western art forms, including what is known as 'tribal art'. It has now broadened to include all art.
The arts or creative arts are a vast range of human practices of creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thinking, doing, and being in an extensive range of media. Both dynamic and a characteristically constant feature of human life have developed into stylized and intricate ...
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
University of Southern California - USC Center for Visual Anthropology: The MAVA (Master of Arts in Visual Anthropology) was a 2–3 year terminal Masters program from 1984 to 2001, which produced over sixty ethnographic documentaries. In 2001, it was merged into a Certificate in Visual Anthropology given alongside the Ph.D. in Anthropology.
For example, {{Anthropology of art |expanded=Case studies}} or, if enabled, {{Anthropology of art |Case studies}} Editors can experiment in this template's sandbox ( create | mirror ) and testcases ( create ) pages.
The arts are a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art," which as a description of a field usually means only the visual arts. The arts encompasses visual arts, literary arts and the performing arts – music, theatre, dance, spoken word and film, among others.
Robert Layton's 1991 book, The Anthropology of Art (Cambridge University Press), [5] seeks to place the study of art within an anthropological framework. He rejects the use of the word primitive when discussing art because he argues that this implies that the origins and early development of art is then evident in art in modern cultures. [6]
There is much traffic between museum anthropology and the related, overlapping, and neighboring domains of (general) archaeology, museum folklore, material culture studies, historical anthropology, visual anthropology, the anthropology of art, and the history of anthropology, as well as the art history of non-western societies and the field of museum studies.