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Vocal music often has a sequence of sustained pitches that rise and fall, creating a melody, but some vocal styles use less distinct pitches, such as chants or a rhythmic speech-like delivery, such as rapping. As well, there are extended vocal techniques that may be used, such as screaming, growling, throat singing, or yodelling.
Voice classification is a tool for singers, composers, venues, and listeners to categorize vocal properties and to associate roles with voices. While useful, voice classification systems have been used too rigidly, i.e. a house assigning a singer to a specific type and only casting him or her in roles they consider belonging to this category. [3]
In the United States, the term contemporary commercial music (CCM) is used by some vocal pedagogues. [3] Voice classification systems and vocal type terms were initially created for the purpose of classifying voices specifically within classical singing. As new styles of music developed, the quest for common terms for vocalists throughout these ...
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
Therefore, voice teachers use vocal range as only one factor among many in classifying a singer's voice. [2] More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1]
In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press. Holt, Fabian (2007) Genre in Popular Music. Chicago: University of Chicago Press.
Articles relating to vocal music, a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment , in which singing provides the main focus of the piece.
العربية; Azərbaycanca; Башҡортса; Беларуская; Беларуская (тарашкевіца) Български; Català; Чӑвашла