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Dublin Blues is an album by the American singer-songwriter Guy Clark, released in 1995. [ 2 ] [ 3 ] Clark promoted the album by touring with son, Travis, as his bass player. [ 4 ] It has recently been remastered (2023) and an extra track has been discovered.
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
"Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown 's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". [ 1 ] "
Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues for Alice".
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This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]
The song commits to the structure of traditional 12-bar blues, a three-chord format in which the first line of each verse is repeated and then answered. [3] Dylan scholar Tony Attwood claims that the song's "point" is introduced in the first verse ("Well, today has been a sad ol’ lonesome day / Yeah, today has been a sad ol’ lonesome day / I'm just sittin’ here thinking / With my mind a ...