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The ancient Roman busts of Julius Caesar and Cleopatra in the Altes Museum, Berlin. Caesar is referred to in some of the poems of Catullus (ca. 84 – 54 BC); The Commentarii de Bello Gallico (ca. 58 – 49 BC) and the Commentarii de Bello Civili (ca. 40 BC) are two autobiographical works Caesar used to justify his actions and cement popular support
The Tusculum portrait, also called the Tusculum bust, is the only extant portrait of Julius Caesar which may have been made during his lifetime. [1] It is also one of the two accepted portraits of Caesar (alongside the Chiaramonti Caesar) which were made before the beginning of the Roman Empire. [2]
Appearance. move to sidebar hide. Help ... Pages in category "Cultural depictions of Julius Caesar" The following 11 pages are in this category, out of 11 total.
Julius Caesar is seen as the main example of Caesarism, a form of political rule led by a charismatic strongman whose rule is based upon a cult of personality, whose rationale is the need to rule by force, establishing a violent social order, and being a regime involving prominence of the military in the government. [291]
3 Physical appearance. 4 Culture. Toggle Culture subsection. ... Julius Caesar, ... An example is the sanctuary at Gournay-sur-Aronde.
The Emperor Otho, by Robert Van Voerst after the lost painting by Titian The Emperor Titus, by Aegidius Sadeler II. The Eleven Caesars was a series of eleven painted half-length portraits of Roman emperors made by Titian in 1536–1540 for Federico II, Duke of Mantua.
In Ancient Rome it was desirable for men to have a full head of hair. This was a problem for Julius Caesar. Being bald was considered a deformity at the time, so Caesar went to great pains to hide his thinning hair, combing his thin locks forward over the crown of his head. Suetonius wrote: "His baldness was something that greatly bothered him ...
Some traditionalists considered long sleeved tunics appropriate only for women, very long tunics on men as a sign of effeminacy, and short or unbelted tunics as marks of servility; nevertheless, very long-sleeved, loosely belted tunics were also fashionably unconventional and were adopted by some Roman men; for example, by Julius Caesar.