Search results
Results From The WOW.Com Content Network
Art in the Middle Ages is a broad subject and art historians traditionally divide it in several large-scale phases, styles or periods. The period of the Middle Ages neither begins nor ends neatly at any particular date, nor at the same time in all regions, and the same is true for the major phases of art within the period. [10]
The most documented form of secular dance during the Middle Ages is the carol also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings. [2] It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while ...
The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...
Secularity, also the secular or secularness (from Latin saeculum, ' worldly ' or ' of a generation '), is the state of being unrelated or neutral in regards to religion. The origins of secularity can be traced to the Bible itself. The concept was fleshed out through Christian history into the modern era. [1] In the Middle Ages, there were even ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Helen Gardner; Fred S. Kleiner, Christin J. Mamiya, Gardner's Art through the Ages. Thomson Wadsworth, (2004) ISBN 0-15-505090-7. George Holmes, editor, The Oxford Illustrated History of Medieval Europe, Oxford University Press, (1992) ISBN 0-19-820073-0; René Huyghe, Larousse Encyclopedia of Byzantine and Medieval Art, Paul Hamlyn, (1958)
The putto disappeared during the Middle Ages and was revived during the Quattrocento. The revival of the figure of the putto is generally attributed to Donatello , in Florence , in the 1420s, although there are some earlier manifestations (for example the tomb of Ilaria del Carretto , sculpted by Jacopo della Quercia in Lucca ).
By the start of the 13th century, secular workshops developed, [8] where professional scribes stood at writing-desks to work the orders of customers, and during the Late Middle Ages the praxis of writing was becoming not only confined to being generally a monastic