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A specific software or hardware implementation capable of audio compression and decompression to/from a specific audio coding format is called an audio codec; an example of an audio codec is LAME, which is one of several different codecs which implements encoding and decoding audio in the MP3 audio coding format in software.
FFmpeg codecs in the libavcodec library, e.g. AC-3, AAC, ADPCM, PCM, Apple Lossless, FLAC, WMA, Vorbis, MP2, etc. FAAD2 – open-source decoder for Advanced Audio Coding. There is also FAAC, the same project's encoder, but it is proprietary (but still free of charge). libgsm – Lossy compression
Instead, it uses the LAME encoder, Ogg Vorbis encoder, WMA codec, as well as any format supported by an external command-line encoder library. The author is no longer developing this software. [2] Audiograbber is able to rip CDs, or record audio coming in via mic jack, or capture audio playing on the computer but not from the internet, into ...
For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...
Ibrahim Lame (born 1953), Nigerian educator and politician; Jennifer Lame (fl. 2007–pres.), American film editor; Khaby Lame (born 2000), Italian influencer; Quintín Lame (1880–1967), Colombian rebel; Lame Kodra, pen name of Sejfulla Malëshova (1900–1971), Albanian politician and writer
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.
After leaving leadership of the LAME project, Mike Cheng decided to redirect his efforts towards the MP2 format. This was in part due to concern with looming legal threats to those distributing software for the widespread MP3 format, due to patents held by Fraunhofer and Thomson, while use of MP2 audio was basically unrestricted.
Each generation of MP3 thus supports 3 sampling rates exactly half that of the previous generation for a total of 9 varieties of MP3 format files. The sample rate comparison table between MPEG-1, 2, and 2.5 is given later in the article. [63] [64] MPEG-2.5 is supported by LAME (since 2000), Media Player Classic (MPC), iTunes, and FFmpeg.