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In fields such as theatre (both tragedy and comedy), music (both religious and secular), art history, rhetoric, and political philosophy, Italians of this period played leading roles—the poets Giambattista Marino and Alessandro Tassoni, the composers Claudio Monteverdi and Francesco Cavalli, the art historian Giovanni Pietro Bellori, the ...
In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo). The term mannerism derives from art history.
Beginning in the second half of the 13th century, Italy produced more examples of secular Gothic architecture than other parts of Europe. The buildings were frequently constructed by the Capitano del Populo of each city, an organization that represented the guilds and the wealthy merchants of the city.
But before about 1530 the main exposure of foreigners to Italian Renaissance art was physical movements of Italian artists or works abroad, or foreign visitors to Italy. Many foreign artists, especially Netherlandish ones, made extended visits to Italy, usually early in their careers, and took back what they had learned back to their native ...
The period is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. Painters of the Trecento included Giotto di Bondone , as well as painters of the Sienese School , which became the most important in Italy during the century, including Duccio di Buoninsegna , Simone Martini , Lippo Memmi ...
International Gothic (or Late Gothic) art is a style of figurative art datable between about 1370 and, in Italy, the first half of the 15th century. As the name emphasizes, this stylistic phase had an international scope, with common features as well as many local variables.
The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the ...
Mantegna's exploration of how paintings or decorations could respond to the presence of the viewer was a new idea in Renaissance Italy that would be explored by other artists. The Camera degli Sposi's illusionistic ceiling also set a new standard for di sotto in sù ceiling paintings that would go on to inspire the ceiling paintings of ...