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Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2] Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre ...
The upper pitch range of the human voice is, on average, about half as high in males as in females. [3] Even after controlling for body height and volume, the male voice remains lower. Charles Darwin suggested that the human voice evolved through intersexual sexual selection, [4] via female mate choices.
A scale of vowels is an arrangement of vowels in order of perceived "pitch". A scale used for poetry in American English lists the vowels by the frequency of the second formant (the higher of the two overtones that define a vowel sound). Starting with the highest,
Ululation (/ ˌ j uː lj ʊ ˈ l eɪ ʃ ən, ˌ ʌ l-/ ⓘ, [1] [2] from Latin ululo), trilling or lele, is a long, wavering, high-pitched vocal sound resembling a howl with a trilling quality. It is produced by emitting a high pitched loud voice accompanied with a rapid back and forth movement of the tongue and the uvula. [3]
A register is the range within pitch space of some music or often musical speech. It may describe a given pitch or pitch class (or set of them), [1] a human voice or musical instrument (or group of them), or both, as in a melody or part. It is also often related to timbre and musical form. In musical compositions, it may be fixed or "frozen".
A soprano (Italian pronunciation: [soˈpraːno]) is a type of classical singing voice and has the highest vocal range of all voice types.The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C 4) = 261 Hz to "high A" (A 5) = 880 Hz in choral music, or to "soprano C" (C 6, two octaves above middle C) = 1046 Hz or higher in operatic music.
Logarithmic plot of frequency in hertz versus pitch of a chromatic scale starting on middle C. Each subsequent note has a pitch equal to the frequency of the prior note's pitch multiplied by 12 √ 2. The base-2 logarithm of the above frequency–pitch relation conveniently results in a linear relationship with or :
The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463). [1] [2] For example, to get the frequency one semitone up from A 4 (A ♯ 4), multiply 440 Hz by the twelfth root of two.