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The Eternal Sapho (also known as A Modern Sapho and The Eternal Sappho) [1] is a 1916 American silent drama film directed by Bertram Bracken and starring Theda Bara. The film was loosely based on the 1884 French novel Sappho by Alphonse Daudet. [2] [3] The film is now considered lost. [1]
Listing of original Sapho cast, circa 1900. The English actress Olga Nethersole asked prominent American playwright Clyde Fitch to adapt Sapho, telling the story from the point of view of the lead female character rather than the male character as was done with the original novel and play. Nethersole produced, directed and starred.
Template parameters Parameter Description Usage Parameter name Reference name Type type — If |type=TV, The initial text changes to "This section includes main cast members, recurring characters, and notable guest stars" Tense tense — Either future tense "will appear" or past tense "have appeared". The default is "will appear or have appeared".
Sappho: Parisian Manners (French: Sapho : moeurs parisiennes) is an 1884 novel by the French writer Alphonse Daudet. It was serialised in L'Écho de Paris in 1884. [ 1 ]
To change this template's initial visibility, the |state= parameter may be used: {{Satellite Award for Best Cast – Motion Picture | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Satellite Award for Best Cast – Motion Picture | state = expanded}} will show the template expanded, i.e. fully visible.
Sappho (painting), an 1890s art piece by Ernst Stückelberg; Sappho, an 1818 tragedy by Franz Grillparzer; Sappho, an 1884 novel by Alphonse Daudet; Sappho, a 1921 German silent film starring Pola Negri; Sapho ou La fureur d'aimer, 1971 French film with Marina Vlady and Renaud Verley; Sappho, a 1963 opera by Peggy Glanville-Hicks
The plot is based on a tradition that Sappho, a poet of ancient Greece, threw herself from the high Lesbian cliffs into the sea when she found that her love for the youth Phaon was unrequited, and that he preferred her slave, named Melitta in the play, to her. In Grillparzer's play, Melitta is not in love with Phaon; her only desire is to ...