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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Another song with a reportedly secret meaning is "Now Let Me Fly" [3] which references the biblical story of Ezekiel's Wheels. [4] The song talks mostly of a promised land. This song might have boosted the morale and spirit of the slaves, giving them hope that there was a place waiting that was better than where they were.
However, his first love continued to be music, and he became the first African-American collector of Negro spirituals. Most African-American spirituals originated in oral tradition, but Work, through his extensive research, was able to compile many songs into the New Jubilee Songs as Sung by the Fisk Jubilee Singers.
Bayard Rustin Sings Twelve Spirituals on The Life of Christ with readings from the Bible by James Farmer is a 10-inch LP [1] released in 1952 by civil rights and peace activist Bayard Rustin on Fellowship Records, a label owned by the Fellowship of Reconciliation (FOR), for which Rustin was working as a youth organizer.
John Wesley Work Jr. (1871–1925)—also known as John Work II—spent three decades at the historically black college in Nashville, Tennessee, Fisk University, collecting and promulgating the "jubilee songcraft" of the original Fisk Jubilee Singers—an African-American a cappella Fisk University student chorus (1871–1878), [8] known for introducing a wider audience to spirituals.
"I'm Working on a Building" is a song in both the African American spiritual and southern gospel traditions. The song has become a standard of the genres. It has been recorded many times, by artists such as The Carter Family, [1] Bill Monroe, [2] Elvis Presley, [3] the Oak Ridge Boys, [3] B. B. King, [4] John Fogerty, [5] The Seldom Scene, [6] and Theo Lawrence.
An early description is from 1853 and the first recordings are from the 1930s. The holler is closely related to the call and response of work songs and arhoolies. The Afro-American music form ultimately influenced strands of African American music, such as the blues and thereby rhythm and blues, as well as negro spirituals. [2]