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Religious pots encompass the story of Hindu epics like, mythology, Ramayana, Mahabharata narrating stories of Hindu gods and goddesses like Radha Krishna, Chaitanya, Kali, Shiba and the indigenous Bengali folklore of Manasha and Chandi, Behula and Lakshinder being the most popular. Secular pots depicts important news events, scandals accidents ...
The following other wikis use this file: Usage on fr.wikipedia.org Goloka; Usage on id.wikipedia.org Goloka; Usage on kn.wikipedia.org ಗೋಲೋಕ
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The medium is ink, opaque watercolor, and gold on paper. It depicts contemporary nobles as the lovers Radha and Krishna. It measures 7 1/2 x 4 3/8 in. (19.1 x 11.1 cm). The verso depicts an image of Krishna playing the bansuri. This image is later and probably by a different artist, dating to between approximately 1750 and 1775.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Some of the popular pastimes of Radha Krishna include: Raslila, pastimes of Radha Kund, Gopashtami lila, [102] Lathmar Holi, Seva Kunj lila in which Krishna did sringara of Radha, [103] Maan lila ( A special stage in divine love in which the devotee develops so much love for God as to even attain the right of getting angry with him), [104] Mor ...