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Has "Tone Editor" with detune, delay, attack/decay and release. Has sustain pedal input. Not velocity sensitive. Also released as the PMP-600 as part of Casio's "Professional" line. [43] CT 657 1989 61 full 110 12 D (x6) - Has "Tone Editor" with delay, attack/decay and release. [44] CT 660 1988 61 full 465 10 D (x6) in/out/thru
The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units . [ 1 ] The DL4 features models of 16 vintage delay effects, including the Echoplex , Roland Corporation 's Space Echo , and the Electro-Harmonix Deluxe Memory Man. [ 2 ] [ 3 ] It is also used for looping . [ 4 ]
Multi-effects units typically have a range of distortion, chorus, flanger, phaser, delay, looper and reverb effects. Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs.
Valhalla Delay is a plugin which simulates the sounds of a number of vintage delays, including tape based delays (such as the sound of Roland Space Echo, Maestro Echoplex, or reel to reel based tape delay units), "bucket brigade" delays, 1980s digital delays, and delays with pitch shifting. [31]
The Stage adds a delay module, amplifier modeling (Wurlitzer speaker, Fender Twin Reverb and Roland Jazz Chorus), [19] overdrive, and expands the Electro's 2-band EQ to 3-band. Piano, Organ, and Synth sections can be independently routed through these groups. Two Master Effects are included – a simple compressor, and a five-algorithm reverb.
The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...
Digital reverb units simulate reverb by using multiple delay lines with fading trails, giving the impression of sound bouncing off surfaces. Some digital effects allow users to independently adjust early and late reflections. [2] Digital reverb was introduced in 1976 by EMT with the EMT 250, [2] and became popular in the 1980s. [1]
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