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Has portamento, pitch bender, three reverb effects, velocity sensitive keyboard. CT 888 2002 73 full MIDI CT 6000 1985 61 full 20 8 in/out 8 tone effects, pitch bender wheel with full octave range, velocity sensitive keyboard. [56] CT 6500 1986 61 full 48 8 MIDI 3 tone effects, modulation wheel and other features. [57] CTK 50 1995 49 full 100 8 ...
The LCD. The VL-1 featured a small LCD display capable of displaying 8 characters. This was primarily used for the calculator function, but also displayed notes played. The VL-1 also had changeable tone and balance, basic tempo settings and a real-time monophonic music sequencer, which could play back up to 99 notes.
The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
The Nord Piano, released in 2010, has 88 keys with hammer action, an effects section with effects such as reverb and amplifier simulations. [3] It also has some unusual features designed to make the piano sounds more realistic, such a simulation of unplayed strings resonating in sympathy with the played strings, and samples of the pedal noises. [2]
Valhalla Delay is a plugin which simulates the sounds of a number of vintage delays, including tape based delays (such as the sound of Roland Space Echo, Maestro Echoplex, or reel to reel based tape delay units), "bucket brigade" delays, 1980s digital delays, and delays with pitch shifting. [31]
Some effect pedals used with electromechanical keyboards such as the Fender Rhodes electric piano or digital keyboards respond to loudness and so, indirectly, to key velocity. Examples include overdrive pedals, which produce a clean sound for softer notes, and a distortion effect for louder notes—and fixed wah-wah pedals that filter the audio ...
The modern keyboard produces digital signals when the keys are depressed, these signals are processed by external effects units to reproduce original digitally sampled instrument sounds, such as a classical piano or string and wind instrument. This allows the user of such a device to reproduce the sound of virtually any instrument.
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