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In his 1840 biography of Beethoven, Schindler named Julie ("Giulietta") Guicciardi as the "Immortal Beloved". [14] [g] But research by Tellenbach (1983) indicated that her cousin Franz von Brunsvik may have suggested Giulietta to Schindler, to distract any suspicion away from his sister Josephine Brunsvik, with whom Beethoven had been hopelessly in love from 1799 to ca. 1809/1810. [15]
Josephine Brunszvik, miniature drawn by pencil, before 1804. Josephine Brunsvik or Countess Jozefina Brunszvik de Korompa, Countess Josephine Deym, (Hungarian: Brunszvik Jozefina; 28 March 1779 – 31 March 1821) was probably the most important woman in the life of Ludwig van Beethoven, as documented by at least 15 love letters he wrote her where he called her his "only beloved", being ...
In 2015 Kopitz published further sources about Beethoven's relationship to Röckel and the famous piano piece. It shows that she was also a close friend of Anna Milder-Hauptmann and lived together with her and her brother Joseph August in the Theater an der Wien. In a letter to Röckel, which she wrote in 1830, she indeed called her "Elise". [18]
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Beethoven's Piano Sonata No. 30 sketch. Beethoven's sketches give scholars an insight into his compositional process. [7] The sketches do not dictate how audiences should interpret or experience the piece. However, they do reveal information about Beethoven himself and act more as a bibliographic aid rather than an analytical tool. [7]
Adelaide, Op. 46, (German pronunciation: [aːdəlaːˈiːdə]) is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831).
That love is captured, achingly, in the brothers’ near-constant written correspondence; of the 820 letters by Vincent collected in Amsterdam’s Van Gogh Museum, 651 are addressed to Theo.
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