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Rie was a friend of Bernard Leach, one of the leading figures in British studio pottery in the mid-20th century, and she was impressed by his views, especially concerning the "completeness" of a pot. [15] But despite his transient influence, her brightly coloured, delicate, modernist pottery stands apart from Leach's subdued, rustic, oriental work.
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. [ 1 ]
The Mungeribar Pottery's mark is a Macdonald's em impressed; Sprague's personal mark is a capital I over a horizontal separator and the Morse code for S—three dots. Some pots are signed "IanS". [20] Drawings and paintings are signed "Ian Sprague"; work signed simply "Sprague" is generally by his nephew Leslie.
The pottery produced slipware decorated pottery, including kitchenware, tableware, planters and commemorative pieces, mostly thrown on the wheel. [1] Their methods varied over the years from low-fired earthenware to high-fired, the techniques changing somewhat when they largely changed over to electric kiln firing in the early 1980s.