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Jesus' three-quarters depiction is typical of Mantegna's production. Twelve cherubs, borne on a cloud, surround the Virgin and cradle the Child. Behind the Virgin, to the left, are depicted boards of the ruinous stable in which Jesus was born, according to tradition. On the right is a wide landscape, framed by two steep mountains.
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available. Adoration of the Magi; Adoration of the Shepherds; Advent; Annunciation to the shepherds; Baby Jesus theft; Bethlehem; Biblical Magi; Caspar (magus) Chalking the door; Christ Child; Christian culture; Christmas ...
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [18] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
The same three shepherds stand behind a fence on the right side of the painting looking at the Holy Family. The painting was painted around the time when Martin Luther first spoke out about the light of the Gospels and used the candle as a metaphor for revelation. In his work translating the bible and spreading his message, he hired Cranach to ...
The Adoration of the Shepherds is a painting of the traditional subject which was painted during the last year of El Greco's life. The painting is a work which the artist made to hang over his own tomb in the convent of Santo Domingo el Antiguo in Toledo . [ 1 ]
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The 17th-century art historian Gian Pietro Bellori makes the first mention of this work and describes it as a copy of a lost work by Annibale Carracci.Domenichino had been trained in Bologna by Annibale's brother Ludovico Carracci, and after moving to Rome in 1602 joined the circle of Annibale, who had already made the move there around the time Domenichino began to work with Ludovico.
Adoration of the Shepherds (also referred to as The Nativity) is a late oil painting by the Flemish Northern Renaissance painter Hugo van der Goes, now in the Gemäldegalerie, Berlin. [1] Unusually large for van der Goes, it is less well-known than his Portinari Triptych or his Monforte Altarpiece on the same subject.