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Tonic and tonic counter parallel in C major: CM and Em chords Play ⓘ. Tonic and tonic counter parallel in C minor: Cm and A ♭ M chords Play ⓘ. Contrast chord example Play ⓘ: C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in ...
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
In music theory, a major scale and a minor scale that have the same starting note are called parallel keys and are said to be in a parallel relationship. [ 1 ] [ 2 ] For example, G major and G minor have the same tonic (G) but have different modes , so G minor is the parallel minor of G major.
Guitar chords (6 P) S. Secondary chords (1 P) Seventh chords (14 P, 1 F) Pages in category "Chords" ... Parallel and counter parallel; Parallel key; Passing chord ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # ... Tonic counter parallel: Play ⓘ 3-11A: 0 3 7: Minor Tonic: Play ⓘ 3-11B: 0 4 7: Major Tonic ...
In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second, is consistent. Each note in the chord falls by one semitone in each step, from F, B ♭, and E ♭ in the first chord to D, G, and C in the last.
In a minor key, the closely related keys are the parallel major, mediant or relative major, the subdominant, the minor dominant, the submediant, and the subtonic. In the key of A minor, when we translate them to keys, we get: A major (I) C major (III) D minor (iv) E minor (v) F major (VI) G major (VII)
Also, since all chords are analyzed as having a tonic, subdominant, or dominant function, with, for instance, in C, A minor being considered the tonic parallel (tP) (US relative), the use of minor mode root chord progressions in major such as A ♭-major–B ♭-major–C-major is analyzed as sP–dP–T, the minor subdominant parallel (see ...