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The book created a generation of cartoonists who learned there was a "Marvel way to draw and a wrong way to draw". [2] [page needed] It is considered "one of the best instruction books on creating comics ever produced". [3] [page needed] Scott McCloud has cited the book as a good reference for teaching the process of making comic books. [4 ...
[6] According to Baseman, pervasive art can take any medium, and need not be "limited to one world, whether that is the gallery world, editorial world, or art toy world." [ 7 ] Today, artists whom Baseman might refer to as pervasive are part of a larger movement with a recognizable "pop" sense, but not necessarily a shared artistic mission.
A penciller (or penciler) is an artist who works on the creation of comic books, graphic novels, and similar visual art forms, with a focus on the initial pencil illustrations, usually in collaboration with other artists, who provide inks, colors and lettering in the book, under the supervision of an editor.
Solson Publications was a New York-based black-and-white comic book publisher active in the 1980s and revived for a short period in the late 1990s. The company was founded in 1985 by Gary Brodsky, the son of long-time Marvel Comics executive Sol Brodsky (who had died the year before); [1] the name of the company was derived from Brodsky's name: "Sol's son" = Solson.
Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels is a book by comic book writer and artist Scott McCloud, published by William Morrow Paperbacks in 2006. A study of methods of constructing comics, it is a thematic sequel to McCloud's critically acclaimed books Understanding Comics and Reinventing Comics .
Josef "Joe" Rubinstein (born 4 June 1958) is a comic book artist and inker, most associated with inking Marvel Comics' The Official Handbook of the Marvel Universe and the 1982 four-issue Wolverine miniseries by Chris Claremont and Frank Miller. He is also known for giving artist Art Adams his first professional work. [1]
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Adams' desire to draw drawing comics professionally was cemented in high school, when he bought Marvel Comics' Micronauts #1, which was illustrated by Michael Golden, [6] the first artist Adams noticed significantly. [2] [8] He relates: I was collecting comic books from the mid-70s, and then I discovered Michael Golden working on Micronauts.