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Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
At the cross's base, a skull with a serpent serves as a memento mori. In the background, at different distances (not always connected well), there are related scenes: the repentance of Peter, the deposition from the Cross with a pyramidal composition, and the transportation of the body of Christ.
The work of art itself is in the public domain for the following reason: This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication . The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law ...
Much memento mori art is associated with the Mexican festival Day of the Dead, including skull-shaped candies and bread loaves adorned with bread "bones". This theme was also famously expressed in the works of the Mexican engraver José Guadalupe Posada, in which people from various walks of life are depicted as skeletons.
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She looks to Heaven, with a tearful expression. The background is very dark, specially at the left. The darkening sky, at the right, shows a tree that seems to be facing the wind. Unlike his 1531 version of the same subject, Titian has covered Mary's nudity and introduced a vase, an open book and a skull as a memento mori. Its colouring is more ...
Less blunt symbols of death frequently allude to the passage of time and the fragility of life, and can be described as memento mori; [5] that is, an artistic or symbolic reminder of the inevitability of death. Clocks, hourglasses, sundials, and other timepieces both call to mind that time is passing. [3]
A French church wall painting depicting the Three Living and the Three Dead, from the Église Saint-Germain in La Ferté-Loupière, Yonne. The theme of the "Three Living and the Three Dead" is a relatively common form of memento mori in mediaeval art. [1] The earliest manuscript evidence for the story comes from late 13th-century France. [2]