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There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Among these, Stereo Review was notable for its lab test reports, listening evaluations, and new equipment reviews by Julian Hirsch. [8] Buying guides such as What Hi-Fi? focus on news and reviews of stereo speakers, TVs, amplifiers, headphones, soundbars, projectors, tablets and turntables. [9]
The dual channel amplifier [9] uses pre-amp valves (most specifically the EF86 pentode) that are associated with smaller Vox amps. [10] The range includes 15, 30, and 100-watt models in both head and combo form. The 15 and 30-watt combos were called "substantial amps that provide substantial tones" in Vintage Guitar. [2]
At the age of 18, Dave Friedman moved from his native Detroit, Michigan, to Los Angeles, where he worked at a store renting high-end instruments to studio musicians. [1] [2] While there, a customer brought in a Soldano SLO 100 modified by Bruce Egnater of Egnater Amplification; an impressed Friedman contacted Egnater about creating a new preamp, which became popular with local studio musicians ...
In the early 2000s, the company worked with Bruce Egnater of Egnater Amplification to create the MTS (Modular Tube System) series of guitar amplifiers. These involve a single amp head consisting of the power amp and part of a preamp, and slots in the head (one for the RM20 head and combo, two for the RM50 head and combo and RM22 head, and 3 for the RM100 head and RM100C combo, and 12 for the ...