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An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. A traditional echo chamber is covered in highly acoustically reflective surfaces. By using directional microphones pointed away from the speakers, echo capture is maximized. Some portions of the room can be moved to vary the room's decay time.
In 1973, Roland released the RE-100 and RE-200 tape delay units, which used a short 1/4" tape loop. [1] In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport ...
Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
In stock form, whichever the cabinet, the ‘950’ had three speeds (33, 45 and 78 rpm) with automatic selection of 33 or 45 at the raising of the central adapter for the smaller records, a ‘929’ arm in stock aluminium finish with brass or black counterweight and a ‘TSD15’ Tondose with ‘4 150 056’ transformers on the equalizer ...
The EMT 140 plate reverb system. A plate reverb system uses an electromechanical transducer, similar to the driver in a loudspeaker, to create vibrations in a large plate of sheet metal. The plate's motion is picked up by one or more contact microphones whose output is an audio signal that may be added to the original "dry" signal. [3]
Same tone-wheel generator as the B-3 / C-3 but with power amp and speakers built into the console, along with a separate Reverb amplifier and speaker. [15] C: 1939–1942 [16] Almost same as Model A-B but with church style cabinet. [16] CV: 1945–1949 [17] Based on Model C, Hammond Vibrato was added.